Recently
Rehearsing: for Flying Ants Day, a new work by Joey Ellis premiering at the Guildford School of Acting from 6-8 March 2025.
Writing and producing: Lover on the Radio, a solo work first performed at GSA Labs last year and set to debut in spring 2025.
Directing: Alec Watson’s Laughing Matters, performed at NuPen festival 2025 and set to premier summer 2025.
Publishing: in Asbarez, Off The Cuff magazine, ASA United’s Compass, and all the time on New Play Exchange and Substack.
Developing: What We Know, an original play about grief and generational trauma as part of Company One’s Volt Lab Fellowship.
Onstage: with Commonwealth Shakespeare Company’s apprentice production of Pericles, GSA’s Jane Eyre and Pericles, and Apollinaire Theatre’s Romeo and Juliet.
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The Salamander and the Impediment
A reclamation play about trying to get the words right by Charlotte Weinman. Produced at Boston University in the College of Fine Arts in the New Works Initiative in October 2021.
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When Night Stands Fast
A journalist, a popstar, and a young woman facing family tragedy all meet while participating in a new experimental therapy method only to discover something sinister brewing below the surface. Released in 2020 on Amazon Prime.
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Bostrom
In a state of the art simulation where youth is a commodity, a retired detective gets pulled into a larger conspiracy when he decides to investigate the abduction of a high school student. Released in 2018 on Amazon Prime.
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Earworm
Forced to quarantine inside their apartment together, a couple struggles to maintain their identities after being infected by a memory-eating parasite.
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As It Was
College senior Joyce is haunted by a punk song that disrupts her work and her relationship with her best friend. She can’t seem to shake the tune—until she comes to terms with a traumatic experience.
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Ivory
Music video for Ivory by Clay Clutch
Winner, National Academy of TV Arts & Sciences - Boston/New England Chapter - Best Music Video 2021
Combat
An epee fencer since the age of twelve, she has been training as a stage combatant since her senior year of high school, where she choreographed her first fight. After four years as the designated combat and intimacy director for BU’s independent theatre groups, she is accomplished with small sword, single sword, rapier and dagger, and unarmed combat styles, and has led workshops in safe combat and intimacy practices.
Scripts
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The Freakshow Tunes In At Ten PM
A goth-kid comedy about blood, hypochondria, and the futility of one’s early twenties. An insomniac has one too many nosebleeds and suspects that their condition may have progressed beyond anemia into vampirism. 80 minutes, 4 actors.
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What We Know
For those whose family medical history burned a hundred years ago. What We Know explores the generational trauma of diaspora through three cousins navigating their grandmother’s Alzheimer’s diagnosis. 100 minutes, 4 actors.
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Chekhov's Gun
There is a gun on the wall, and by act two, someone here will fire it. A one-act murder mystery where the murder has yet to happen, featuring every possible film noir and radio play caricature in one dark, stormy gin joint. 20 minutes, 8 actors.
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Lining Up for Lucifer
LUCIFER’S KINK PLAYS THE PARADISE ROCK CLUB: ONE NIGHT ONLY. A conversation from the circle of hell that is Commonwealth Avenue on a concert night. Written as part of the first Yale 24-Hour Pandemic Bake-off. 15 minutes, 5 actors.
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A Table At Rocco's
A thinly-veiled love letter to Modern Pastry. Rocco’s holds a single lens to the comings, goings, and curiosities of a longstanding cafe in Boston’s North End. 70 minutes, 10 actors.
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This Monstrous Cunt
A Homeric epic through a sea of uncertainty. Anais has a canoe, a tape recorder, and nineteen years’ worth of sexual miseducation to unlearn. CUNT retells Homer’s Odyssey for the teenaged ex-Orthodox girl exploring her spirituality and sexuality. 75 minutes, 5 actors.